Kravitz nails the social analysis and a dark, satirical tone, but as the film becomes a horror thriller, her directorial execution falters. There are some dynamic shots and compositions, and overt references to her inspirations, but the element of suspense and her ability to stage a sequence is lacking. She doesn’t shy away from the ugly truth at the center of her story (best left to the viewer), but Kravitz miscalculates the careful difference between “conceal” and “reveal” that is necessary to skillful horror filmmaking. She makes the mistake of showing us the monster clearly, forgetting that what the audience can’t see is far scarier than what they can. Blink Twice
Naomi Ackie, left, and Adria Arjona in the movie “Blink Twice.” (Carlos Somonte) Katie Walsh R, for strong violent content, sexual assault, drug use and language throughout, and some sexual references 1 hour, 42 minutes In wide release Friday, Aug. 23
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